
4 Parametric stereo filters, each with ± 15 dB gain and variable Q factor (0.2 - 2).High pass filter with adjustable cutoff frequency (10 - 250 Hz) and resonance Stereo, dual mono and mid / side operation with solo function.Analog 2-channel equalizer with digital control and preset memory with 399 places.Inputs and outputs as balanced XLR and 6.3 mm TRS.Noise floor (relative to +4 dBu): -85 DB (A Weight).Maximum output at 1.5% THD dBv +37, +26 dBv at 20 Hz.EQ Boost/cut range: 20 dB boost/20 dB cut.EQ frequency control range: 22 - 27000 Hz.Level +4 dBU (can be switched to 10 internally).Each band offers the possibility of Shelf or Bell.Mastering version with stepped potentiometers and changed filters for mastering applications.When processing individual signals you just lean in a bit. You can use the standard version for mastering, no problem. The mastering version does not have discrete resistors behind the front panel like the SLAM! or VariMu, but works with mechanically stepped pots with a narrower range providing a higher resolution. Just by varying the bandwidth a powerful and crisp, or a fat and warm bass can be created. In the bass and treble ranges, curves can be generated which are similar to the Manley Pultec. But even with acoustic music the Massive Passive retains an open character, even if a little more action has to be taken at times. The centres are legendary and many believe there is nothing better for Rock. How does it sound? The passive filters are very transparent and only the tubes lend character to the device. Thus, the Massive Passive behaves differently than other EQ - you can create curves for which you would need 6 bands with conventionally operating EQ. The four parametric filters per channel are coupled in parallel. The unique sound and the unique way of operation enabling filtering options which can't be realised with other EQs set this device apart. The Massive Passive is probably the most commonly encountered equaliser in mastering studios and there is a reason. Save new presets Flat Equalizer v4.8.In present days, no mastering studio can pass a Massive Passive.

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